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Interesting. I have never really looked at Hopper's work aside from Nighthawks. He uses geometry in a way that reminds me of M.C. Escher. I can see what you are saying about the calmness. My first paintings were far more geometric and abstract, done with house paint on metal: In those paintings I was interested in getting at the essence of a scene while restricting the color and the lines. Almost as if you were creating a commercial label for something non-commercial. I think a thread of emotion has remained constant, even though the technique I am using is so different now.