by galen

So far the new recording for which has I've gotten the most pitches from publicists this year is a mash-up of sonatas by Domenico Scarlatti and John Cage performed by David Greilsammer.

The Israeli pianist hits the keyboard as though he were an electrician producing glittering sparks, and Sony Classical has good reason to sense a hit with "Scarlatti: Cage: Sonatas." I hope the label has one. This hard-to-resist release is good for Cage, good for Scarlatti, good for Greilsammer.

But bad for history.

Pardon the cliffhanger; just seemed like a natural stopping point for the Hubski "lede."

I like this review because it analyzes the album conceptually without telling you whether to enjoy it.